And double stops. In the Bach, I had to do double stop fingering in a couple of passages even though there weren't actual double stops. Since I've started working on the Haydn, Ms. L. has had me doing double stop exercises of various kinds to prep me for actual double stops there.
So when I saw this, I wasn't worried.
However, it seems as though I am spending a disproportionate amount of practice time and lesson time on this, especially the first two sets. (I'm playing the third set on two and four, by the way, not one and three.) That shift from B+G to D+B is killing me. I only get it right about 40% of the time. My usual error is playing both 3rd position notes sharp, but the B is the one most likely to be wrong.
I have practiced it as follows:
- Super slow-mo, fingering and playing both notes
- Pausing before each shift, fingering and playing both notes
- Fingering both notes, but playing the top note only
- Fingering both notes, but playing the bottom note only
I asked Ms. L. a couple of weeks ago, "Why is this so difficult?" and she shrugged and said, "It's shifting. It's double stops. A lot can go wrong." I guess it just needs more time and (careful) practice.
