Anyway, I cussed. Then I did my warm-ups and scale and
Kreutzer, and then figured I’d see how much of the first movement of the Bach I
could remember. Playing it from memory was really, really interesting. I
remembered almost all of it. And as I was playing, I felt as though I was
noticing so much more in terms of how I sounded.
Maybe that shouldn’t be surprising, but it was. I realized that
in practicing, sometimes I’m just noticing something I need to adjust, marking
it in the music, playing through it another couple of times to move it in the
right direction, then playing on. Not
gonna solve it today, it’s just something to keep working on. I rely on the
marking to remind me to make the adjustment and, on some level, if I’ve marked
it, I’ve done my work for the day.
It sort of reminds me of being in graduate school and having
huge, scary papers to write. Since this was the mid-1990s, I actually had to
track down paper sources (journal articles, books) in the library and photocopy
them. I’d then haul home stacks of stuff to read and feel as though, on some
level, I’d spent X hours on my paper. Not
gonna write it today, it’s just something to keep working on.
Playing from memory tonight and relying strictly on sound to
monitor myself instead of just using practice time to put more pencil marks on
my music is sort of like sitting down and actually banging out word count on a
paper instead of just killing trees at the library.
That doesn’t mean I need to extend practice sessions
endlessly to internalize an adjustment by brute force. It just means that I
probably need to get my eyes and brain away from the notes more often.
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